In the bustling atmosphere of the Sankranti 2026 movie season, one name has been creating significant ripples across the Telugu film industry: Ashika Ranganath. Known for her captivating screen presence and a career that has seen a swift ascent from Kannada cinema to Tollywood’s big leagues, Ashika recently took center stage during the promotional tour for her latest film, Bhartha Mahasayulaku Wignyapthi (BMW).
Her exclusive interviews for the film, particularly the sessions with major Telugu outlets, have provided fans with a deeper look into the actress’s professional evolution and her role in what is being hailed as a “family-centric riot.”
Ashika Ranganath Pics
A “Dream Project” with Mass Maharaja
During the interview, Ashika couldn’t hide her excitement about sharing the screen with Ravi Teja. She described the opportunity to work with the “Mass Maharaja” so early in her Telugu career as nothing short of a blessing.
“Working with Ravi Teja sir is like being on a high-energy set every single day,” Ashika remarked. “He doesn’t just bring his energy; he amplifies everyone else’s. For me, Bhartha Mahasayulaku Wignyapthi is a dream project because it balances mass appeal with a story that has a very genuine, relatable heart.”
She highlighted that the film’s director, Kishore Tirumala, known for his nuanced take on family dynamics, was instrumental in helping her find the voice for her character, Manasa.
Exploring “Manasa” and the Spain Schedule
Ashika’s character, Manasa, is central to the film’s conflict. The plot follows the protagonist, Ram Sathyanarayana (Ravi Teja), who travels to Spain after a business rejection, only to have his life upended when he meets Manasa.
In her interview, Ashika described Manasa as:
- Independent: A modern woman with a clear sense of self.
- Catalyst: The character who unintentionally triggers a comedic but emotional crisis in the protagonist’s life.
- Relatable: A role that shifts away from the “damsel in distress” trope.
She spoke fondly of the Spain schedule, noting that the picturesque locations added a layer of visual “magic” to the romance and comedy, making the chemistry feel organic rather than forced.
Camaderie and the “Two-Heroine” Dynamic
A significant portion of the interview touched upon her working relationship with co-star Dimple Hayathi. In an industry often plagued by rumors of “heroine rivalries,” Ashika was quick to dismiss such notions. She spoke about their shared dance performances during the press meets and how they bonded over the unique script.
While Dimple plays Balamani (the traditional “wife” character), Ashika’s Manasa represents the “unforeseen complication.” Ashika noted that the film handles the “man stuck between two women” trope with a fresh, witty perspective rather than falling into outdated clichés.
The Message to Husbands
The title, which translates to “An Appeal to Great Husbands,” set the tone for the interview’s more reflective moments. Ashika explained that the film is a satirical yet affectionate look at the pressures and misunderstandings within modern marriages.
She teased a “surprise element” toward the climax that she believes will leave the audience—especially couples—discussing the film long after they leave the theater. “It’s not just a comedy; it’s a conversation starter,” she said with a smile.
Looking Ahead
As the interview concluded, Ashika reflected on her journey. With other projects like Adi Na Pillara on the horizon, she seems poised to become a permanent fixture in Telugu cinema. Her humility, combined with a sharp understanding of her craft, was evident throughout the session.
For fans of Ashika Ranganath, this interview wasn’t just about a movie; it was a testament to her growth as an artist who is ready to take on complex, lead roles in one of India’s biggest film industries.